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  2. Қазақ ұлттық қыздар педагогикалық университеті / Казахский национальный женский педагогический университет
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  5. DANCE AND THE CAMERA: COMPOSITIONAL FEATURES OF CHOREOGRAPHIC STAGING IN THE MUSICAL FILM IN THE EMBRACE OF HAPPINESS
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DANCE AND THE CAMERA: COMPOSITIONAL FEATURES OF CHOREOGRAPHIC STAGING IN THE MUSICAL FILM IN THE EMBRACE OF HAPPINESS

Автор(ы)
A. D. Shorabek
Samal A. Bakirova
Дата публикации
30 сентября 2026 г.
Тип
journal article
Журнал
ARTS ACADEMY
Выпуск
3
Первая страница
5
Последняя страница
5
DOI
10.56032/2523-4684.2026.3.19.5
ISSN
2523-4684
Аннотация
In contemporary cinema, dance has become an important component of cinematic language, expanding the artistic possibilities of screen space. Accordingly, the study of the compositional structure of dance scenes, the interaction between choreography and camera work, and the artistic function of editing has become an important research issue. The aim of this study is to analyze choreographic compositions within screen space based on S. Shapashov's musical film Baqyt Qūshağynda (In the Embrace of Happiness) and to identify the features that distinguish them from stage dance performances. The study employed a compositional and artistic analysis of the film's dance scenes together with a semi-structured interview with the film's director-choreographer. The interview was conducted online, after which the collected data were transcribed and analyzed using thematic analysis. The findings revealed the artistic concept of the film's choreographic productions, the specific features of adapting dance scenes to the screen, and the role of camera work and editing in shaping choreographic composition. The analysis also demonstrated that the songs of Shamshi Kaldayakov function not merely as musical accompaniment but as the foundation of a new artistic form created through dance movement and cinematic visual expression. The scientific novelty of the study lies in providing the first comprehensive scholarly analysis of the screen choreography of the musical film Baqyt Qūshağynda, identifying the distinctive features of adapting dance composition to screen space and revealing the role of cinematographic techniques in shaping its artistic structure
Темы

dance in film

musical film

camera work

film editing

dance composition

Uzbek cinema

dance and film

Области науки (FoS)

Arts and Humanities

Visual Arts and Perfo...

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Название

W7221046306.pdf

Описание
Полный текст в открытом доступе, лицензия cc-by; источник: https://artsacademy.kz/index.php/main/article/download/196/138
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625,26 KB

Формат

Adobe PDF

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(MD5):061211beb192cb9e2aa4d72877ead958

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