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Nauchnyi Dialog
ISSN
2225-756X
2227-1295
2 результаты
Показано: 1 - 2 из 2
- Некоторые метрики заблокированы вашиминастройками согласия
Тип записи:Публикация, Siberia as a Local Text in Poetry of Pavel Vasiliev(2025-09-29); С В НиколаенкоThis article examines the poetic works of Soviet poet Pavel Nikolayevich Vasiliev (1910– 1937) to construct the Siberian text as a semiotic phenomenon in Russian culture. Utilizing the methodology of Yuri M. Lotman, it posits that the local hypertext comprises three subtexts: text as name, text as topos, and text as time. The study reveals that Siberia is personified in the author’s perception as a feminine figure. It demonstrates that the Siberian topos, in the poet's metageographical representation, emerges as an autonomous territory — a country in its own right. Notably, the major geocultural elements of this topos include the great Siberian rivers. The cities are perceived by the poet both concretely (Omsk, Irkutsk, Tyumen) and generically (Siberian Chicagos). The research emphasizes that significant semiotic characteristics of the Siberian text encompass the harsh climate and vastness of the territory. It shows that the transmission of the Siberian text as chronos involves a diachronic connection linking the past with the present, thereby actualizing specific meanings. Vasiliev’s poems depict typical Siberian characters: the merchant-gold miner and the Siberian peasant, embodying common traits of the Siberian character. The authors conclude that the construction of the Siberian text in Vasiliev’s poetry represents a significant contribution to the representation of Siberian text as a vital phenomenon in Russian culture. - Некоторые метрики заблокированы вашиминастройками согласия
Тип записи:Публикация, Tragic Elements in M. Dulatov’s Poem ‘Qaida edıñ’? (Where Were You?)(2024-05-25); ; The relevance of this article is justified by the necessity to construct a comprehensive picture of the development of Kazakh literature at the beginning of the 20th century through the analysis of tragic elements in the works of Myrzakhyp Dulatov. The authors critically evaluate various approaches to studying this aesthetic category in the works of I.I. Plekhanova, V.E. Khalizev, and E.V. Volkova. The scientific novelty lies in the first-time analysis of the poem ‘Qaida edıñ?’ (Where were you?) from the declared perspective. The research establishes that, firstly, tragic events (specifically, the forcible mobilization of Kazakhs for participation in World War I and famine) form the narrative basis of this poem. Secondly, antithesis serves as a significant means of conveying tragedy. Thirdly, the Kazakh worldview (steppe — land — Alash — people) depicted in this poem intricately intertwines with tragic hopelessness, where the semantic boundaries of the concept PEOPLE encompass human life values: steppe, family, lineage, generational ties, life. Fourthly, syntactic parallelism, various forms of repetition, rhetorical questioning, and other poetic devices aid the author in expressing their own viewpoint and engaging the reader in the quest to identify the culprit behind tragic events.