Қазақ ұлттық қыздар педагогикалық университеті / Казахский национальный женский педагогический университет

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Mythologized History and Politics in Post-Soviet Kazakhstan and Kyrgyzstan
(2017-07-01)
Ануар Галиев
;
Кулипа Байсултанова
;
Zhanar Yesserkepova
;
Marzhan Dautbekova
;
Aliya Isayeva
The purpose of this work is to show the role of mythologized history in the management of modern political processes in Kazakhstan and Kyrgyzstan. The article analyses the causes of appearance of mythologized histories in the two republics of Central Asia, Kazakhstan and Kyrgyzstan. The article evaluates the function and instrumental character of this phenomenon. Authors have demonstrated in a lot of examples that mythologized history is one of the tools by which an attempt is made to control the political process. Mythologized history plays an important role in both countries. It cannot be argued that this phenomenon is understood and interpreted in full. In any case, this phenomenon requires further study.
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ARTISTIC CONCEPT IN THE EPIC NOVEL “PATH OF ABAY”
(2020-03-30)
R. Z. Zaikenova
;
F. Sagymbekova
In the novel "The Path of Abay", which reveals the way of Abay’s conscious life for 50 years,, the national idea and national interests, national tastes and national psychology are deeply formulated in the realities of life and artistic reality. In this way, the work depicts the personality of Hakim Abay. The artistic concept is determined by the originality of national identity. The use of the literary word used by M.Auezov reflects the rich language of our people. In the epic novel "The Path of Abay", one can find all kinds of concepts related to the customs and traditions of the Kazakh people. For example, such types of rituals as marriage, urynbaru, food, hospitality, etc., as well as many types of hunting and hunting activities are widely mentioned in the novel. In the article, it is scientifically formulated that the concept "uryn baru" is a long-standing tradition of our nation.
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ETHNOCULTURAL VALUES IN CONTEMPORARY KAZAKH POETRY: (based on the work by poet A. Shegebay)
(2024-03-25)
L.А. Amankulova
;
A.K. Kospagarova
;
G.Ö. Eker
This article delves into an examination of the ethnocultural values prevalent among Kazakh people, drawing insights from the corpus of modern Kazakh poetry. Specifically, the works of the esteemed poet A. Shegebay are scrutinized within the context of ethnocultural values. The significance of investigating national values and ethnocultural worldviews through the lens of poetry is paramount. The phenomenon of globalization and the political transformations witnessed in modern Kazakh history have left an indelible mark on the nation's culture, spirituality, and, notably, its poetry. Embedded within the fabric of Kazakh society are enduring moral precepts, transmitted across generations, which constitute the bedrock of national values. The language, mindset, customs, literature, and artistic expressions of v collectively represent a reservoir of spiritual wealth that has been meticulously preserved through the ages. It is through these spiritual moorings that the national and cultural identity of the Kazakh populace finds its enduring anchor. Against this backdrop, this article undertakes a meticulous analysis of select poems by A. Shegebay, namely "Besik," "Kara Shanyrak," "Kokpar," and "Taba Nan," from the vantage point of ethnocultural values. It is recognized that the essence of any people and their worldview are inexorably shaped by national and cultural constructs, finding eloquent expression in poetry as the quintessential vehicle for the collective consciousness of a people. Through empirical investigation, this study identifies and delineates the national-cultural concepts embedded within contemporary Kazakh poetry. Moreover, it discerns that the character of the ethnocultural worldview articulated in Kazakh poetry is a product of historical, social, and individual factors. The ideological and thematic contours of Kazakh poetry in the age of globalization are thus discerned to be intricately entwined with ethnocultural values and the collective identity of the nation.
Цитирования (OpenCitations) 1
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Linguocultural Aspects of the Concept of "Qonaqjailylyq" (Hospitality)
(2024-12-14)
Aigul Onalbayeva
;
Б. С. Жумагулова
;
Т. Ж. Токтарова
;
Dinara Aliyeva
;
Zhanbai Kadyrov
The aim of the studyis to identify the national and cultural features of the concept of "qonaqjailylyq" (hospitality) within the Kazakh linguistic worldview. To achieve this aim, methods of conceptual analysis, lexicographical research, and a free associative experiment involving 109 respondents were employed. The research is based on the analysis of lexicographical data, examples from literary texts, and the results of the associative experiment, which made it possible to reveal the key semantic and symbolic meanings of the studied concept. The findings indicate that hospitality in Kazakh culture encompasses material, emotional, and ritual elements, reflecting key national values such as respect, generosity, and warmth. The concept of "qonaqjailylyq" is closely linked to the traditions and cultural code of the Kazakh people and retains its significance in contemporary contexts. The study highlights the importance of hospitality as a component of intercultural communication and national identity, offering new approaches to its investigation.
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Reflection of National Values in Modern Kazakh Lyrics
(Ahmet Yesevi University, 2025-03-30)
B.S. Begmanova
The article examines the axiological problems of modern Kazakh poetry, such as national existence, national spirit, national consciousness. National, universal axiological virtues are one of the topical themes of eternity. Literature, considered the pearl of art, is a phenomenon that promotes and extols this value. Poetry, considered the essence of noble words, is one of the phenomena that serve to promote the axiological benefits mentioned above. Poetry is a moral word, an ethical word that glorifies universal, national education and transmits the value of virtue to future generations. The role and mission of Kazakh poetry in society, based on the principle of axiological criteria, is special. Indeed, Kazakh poetry is completely intertwined with the phenomenon of national values, worldview, feeds on a noble channel and is a harbinger of the national spirit. Because the centuries–old national poetry is a phenomenon of values that serves the benefit of Kazakh society. In the second half of the last century, innovative changes in the literary process gave a new impetus, a new breath to the praise of the art of speech, and raised the quality of noble words to a higher level. Like other genres of literature, the genre of poetry has improved theoretically, poetically, stylistically, artistically, ideologically, thematically, meaningfully, qualitatively, didactically, and practically. One of the thematic innovations is that the works based on the national values of the Kazakh people contributed to the enrichment of the genre of poetry. This article examines the axiological, didactic mission of the poetic word, the representatives of poetry – a spiritual tool that serves the humanization of society. The poems, embodying national identity, national value, trace the historical, socio-social activities of the Kazakh people in awakening their being, spirit, consciousness. The poems reflecting the national mentality in the literary process are selected, and their axiological aspects that promote and glorify national values in a national context are analyzed.
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Cultural memory and the transformation of traditional values in Post-Soviet Kazakhstan: a hybrid model of national identity
(Frontiers Media, 2026-05-29)
Raimbek Zeinullin
;
Gulzer Dauletova
;
Kenzhegul Biyazdykova
;
Saniya Edelbay
;
Sevinj V. Askerova
This study examines the transformation of cultural memory and traditional values in Post-Soviet Kazakhstan as a key component of national identity reconstruction. The main objective is to identify the mechanisms through which cultural memory preserves traditional values and reinterprets them within contemporary socio-cultural contexts. The research is based on a qualitative design and analyzes a corpus of materials from 1991 to 2024, including state programs, cultural texts, and epic heritage, notably the Rukhani Zhangyru program and the Koblandy Batyr epic. Data was examined using discourse analysis, thematic coding, and symbolic-interpretive methods. The findings demonstrate that cultural memory in Post-Soviet Kazakhstan functions not only as a mechanism for preserving historical experience but also as a dynamic system that adapts traditional values to modern social conditions. State discourse, the education system, and media are identified as key institutional mediators that reinterpret and transmit cultural values. In addition, epic heritage is recontextualized in contemporary cultural space, acquiring new symbolic and social functions. The study argues that the interaction between tradition and modernization leads to the emergence of a hybrid model of national identity. This model ensures continuity with the past while enabling adaptation to current societal demands. The findings contribute to a better understanding of cultural transformation processes in Post-Soviet societies and propose an integrative analytical framework for studying cultural memory and national identity.
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THE CONCEPT OF “TURKISTAN” IN THE IDEOLOGICAL AND CULTURAL DISCOURSE OF THE KAZAKH INTELLIGENTSIA OF THE EARLY 20th CENTURY
(2026-07-01)
Zh. Akhmetova
;
A.Zh. Asanbaeva
;
Kamola Davlyatalievna Saipova
The article analyzes selected aspects of the concept of “Turkestan” as an ideological and cultural phenomenon in the discourse of the Kazakh intelligentsia of the early twentieth century. It examines the intellectual, political, and sociocultural prerequisites for the emergence of the idea of Turkic unity and regional solidarity under the conditions of late imperial and early Soviet transformations. The relevance of the study is determined by the need for a comprehensive understanding of the ideological foundations of the national liberation movement, the role of the intelligentsia in shaping national identity, and the significance of the concept of Turkestan in the process of political mobilization of Turkic peoples. The exploration of this issue contributes to a deeper comprehension of the historical mechanisms of self-determination and cultural consolidation in Central Asia.The aim of the article is to identify and analyze the key ideological and cultural dimensions of the concept of “Turkestan” in the intellectual discourse of the Kazakh intelligentsia. The main objectives are to reveal the ideological sources of the concept, to determine the role of national leaders in its formation, and to analyze the factors that influenced its transformation during the Soviet period.Materials and Methods. The study is based on the analysis of archival documents, journalistic and programmatic materials, as well as scholarly works by domestic researchers. The research employs the methods of historicism, comparative historical analysis, and discourse analysis.Results. The findings demonstrate that the concept of Turkestan integrated ideas of Turkic and Muslim unity, anti-colonial resistance, and aspirations for political autonomy. The activities of representatives of the Kazakh intelligentsia facilitated its institutionalization; however, the polyethnic composition of the region and the pressure exerted by the Bolshevik authorities limited the possibilities for its practical implementation. The concept of Turkestan played a significant role in shaping the national consciousness and political culture of the Kazakh intelligentsia, preserving its historical and ideological value within the broader context of the development of the Turkic world.
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Analyzing Current Tendencies in the Formation of National Identity in Society: International Experience
(2026-07-24)
Gulzer Dauletova
;
А. Р. Масалимова
;
Marzhan Alikbayeva
;
Жаркимбаева Дана Бактубаевна
;
Kenzhegul Biyazdykov
The aim of the study was to identify new trends in identity in the third decade of the twenty-first century. The methodology of this research was based on the analysis of social phenomena in the United States, the United Kingdom, Kazakhstan, and Germany. The study explored examples illustrating the formation of national identity as well as the social processes affecting this identity in the context of globalization. It also analyzed the legal framework regulating aspects of the formation and expression of national identity in the countries studied. Several important aspects of modern identity were addressed in the research. Specifically, the issue of social solidarity and its influence on contemporary society was analyzed, as well as how social solidarity contributed to the unity of society during the COVID-19 pandemic. A characteristic feature of this unity was mutual assistance, which manifested itself in caring for the sick, delivering medicine, and the active involvement of trade unions in the US. The problem of migrant identity was also explored. As a result of numerous military conflicts, migration processes have intensified, bringing new cultural and, importantly, religious characteristics to society. Kazakhstan represents a unique example of a post-Soviet state with rapidly developing national identity, combining the influence of neighboring cultures and modern global processes. As a multi-ethnic and multi-confessional country, Kazakhstan forms a multi-layered identity, incorporating both national traditions and contemporary international trends.[El objetivo del estudio fue identificar nuevas tendencias en la identidad en la tercera década del siglo XXI. La metodología de esta investigación se basó en el análisis de fenómenos sociales en Estados Unidos, Reino Unido, Kazajistán y Alemania. El estudio exploró ejemplos que ilustran la formación de la identidad nacional, así como los procesos sociales que afectan a esta identidad en el contexto de la globalización. También analizó el marco jurídico que regula aspectos de la formación y expresión de la identidad nacional en los países estudiados. En la investigación se abordaron varios aspectos importantes de la identidad moderna. En concreto, se analizó la cuestión de la solidaridad social y su influencia en la sociedad contemporánea, así como la forma en que la solidaridad social contribuyó a la unidad de la sociedad durante la pandemia de COVID-19. Un rasgo característico de esta unidad fue la ayuda mutua, que se manifestó en el cuidado de las personas enfermas, la entrega de medicamentos y la participación activa de los sindicatos en Estados Unidos. También se exploró el problema de la identidad migrante. Como resultado de numerosos conflictos militares, los procesos migratorios se han intensificado, incorporando a la sociedad nuevas características culturales y, de manera importante, religiosas. Kazajistán representa un ejemplo singular de Estado postsoviético con una identidad nacional en rápido desarrollo, que combina la influencia de culturas vecinas y procesos globales modernos. Como país multiétnico y multiconfesional, Kazajistán configura una identidad en múltiples capas, que incorpora tanto tradiciones nacionales como tendencias internacionales contemporáneas].
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The Psychology of “Awakening” in Turkic Poetry: Transformation of Consciousness and Identity
(Vesnu Publications, 2026-09-01)
Almas Naimanbaev
;
Nargiza Baltabayeva
;
Zhanakul Sametova
;
Kydyr Torali
;
Gulzhan Rasheva
Objective: This study examined the motif of “awakening” in Turkic poetry as a psychocultural process through which individual consciousness, historical memory, cultural identity, and collective self-understanding are symbolically reconfigured. Methods and Materials: A qualitative comparative literary design was used. Selected poetic and prose-literary texts from Ottoman-Turkish, Azerbaijani, Kazakh, Kyrgyz, Tatar, and Uzbek traditions were examined through close textual reading, thematic analysis, stylistic interpretation, and historical-comparative contextualization, with particular attention to the Jadid and related enlightenment movements. Findings: Across the selected traditions, awakening repeatedly emerged through contrasts such as sleep–wakefulness, darkness–light, ignorance–knowledge, silence–voice, and dependence–freedom. Although its local forms differed, the motif consistently linked personal transformation with collective renewal, language preservation, education, historical memory, and national identity. In early twentieth-century poetry, these symbolic oppositions frequently converted literary discourse into a vehicle for social reflection and cultural mobilization. Conclusion: The awakening motif functions as more than a recurrent literary image: it operates as a shared psychocultural framework for representing transformation of consciousness and identity across the Turkic world. Its durability reflects the continuing role of poetry in preserving cultural memory and articulating aspirations for intellectual, spiritual, and social renewal.
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Dance, ontology, and national identity in the metamodern cultural paradigm
(Taylor & Francis, 2026-09-06)
Berik Kuketov
;
Aliya Shankibayeva
;
Anipa Kussanova
;
Madina Assanova
The contemporary cultural landscape reveals a growing crisis in postmodern interpretations of national culture, which tend to emphasize fragmentation, relativism, and the deconstruction of stable meanings. While such approaches have enriched critical cultural theory, they frequently neglect the corporeal, experiential, and affective dimensions through which national identity is sustained. Within this context, dance emerges not merely as an aesthetic or performative practice but as an ontological mode of cultural existence through which collective meanings are generated, transmitted, and renewed. Drawing on philosophical-ontological, cultural-anthropological, and hermeneutic perspectives, this article examines dance as a corporeal system of cultural memory and historical continuity that operates beyond purely textual or representational models. Using two Central Asian traditions—Uzbek Lazgi and Kazakh Kara Jorga—as illustrative cases, the analysis demonstrates that the metamodern cultural paradigm enables a reconfiguration of traditional dance by oscillating between preservation and innovation, sincerity and reflexivity, continuity and transformation. Rather than reducing traditional dance to folkloric representation, metamodernism reactivates it as a living practice that produces national meaning through bodily presence and performative repetition. By conceptualizing dance as a dynamic process of identity formation rather than a symbolic reflection of culture, the article contributes to dance ontology and cultural identity studies. Crucially, this reconceptualization carries significant implications for cultural sustainability, shifting heritage preservation from static documentation toward the support of living, corporeal practice.

Қазақ ұлттық қыздар педагогикалық университеті / Казахский национальный женский педагогический университет

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