Қазақ ұлттық қыздар педагогикалық университеті / Казахский национальный женский педагогический университет
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- Некоторые метрики заблокированы вашиминастройками согласия
Тип записи:Публикация, Symbolic number of seven in kazakh literatureThe article considers the peculiarity of the symbolism of the number seven in the Kazakh literature.The works of Kazakh poets of the 19th and 20-th centuries are analyzed.Since ancient times, numbers have played an important role in the life of many peoples. Somenumbers had a deep meaning, sacredness, some magical power was attributed to them. Kazakh culturewas no exception. Among the frequently used numbers, the number seven plays a special role amongthe Kazakh people.The symbolism of the number seven in the Kazakh culture and literature reflects the traditional ideasof the Kazakhs about the world order. Seven is a sacred and fundamental concept related to integrity,completeness.In the works of Kazakh poets, seven also most often symbolize the completeness, the connectionbetween life and death, all phenomena, the genealogy, the spiritual connection with the ancestors, theethno-cultural memory of the people.Seven is a key word in the works of Shakarim, M. Makatayev, K. Murzaliyev, M. Shahanov. Seven iscombined with many words and concepts and has rich symbolism. This is the dimension of everythingthat exists, the concept of happiness and the meaning of earthly life - Некоторые метрики заблокированы вашиминастройками согласия
Тип записи:Публикация, THE HISTORY OF PUBLICATION OF ONE POEM BY ABAY(2020-12-09); ; This article deals for the first time about the textual problem of Abai’s poem “Zhaz”, reading and critical analysis of it by M.Auezov. When preparing the printed text of the poem, some of its lines raised doubts. When defining the original, the newspaper versionwas taken as a basis which was published during the author’s lifetime. The poem, which begins with the words “Zhazdy kun shilde bolganda”, consisted of 48 lines, and first appeared in the newspaper “Dala ualayaty”, then it was published in the author’s collections, where there were already 60 lines. For the first time, the article talks about deleting extra lines, which once led to the confusion of M.Auezov. Comparing the newspaper version with academic collections, the author substantiates the correctness of correcting individual lines by meaning, guessing, by style of context. As a result, it turns out that the newspaper version is the only correct one and is the original. - Некоторые метрики заблокированы вашиминастройками согласия
Тип записи:Публикация, WORKS OF M.ZHUMABAYEV FOR CHILDREN(2020-12-09) - Некоторые метрики заблокированы вашиминастройками согласия
Тип записи:Публикация, CREATIVE ENDEAVOUR IN THE CONTEMPORARY KAZAKH POETRY (ON THE WORK OF Y. ZHUNIS)(2022-12-20); A genre of lyrics in modern Kazakh literary criticism is being studied in a complex way. Many scientific works have been written on the history of the poetry development and lyric poetry. There is always a place for a poetry in the literature; there is a place for lyricism in the poetry. With the advent of new trends and manners in Kazakh poetry, a role of a lyrical hero changes from time to time. In this article, for the first time, mentality of modern Kazakh lyrics becomes an object of a scientific research. The study examines a history of development of Kazakh poetry on the example of the works of the following famous poets: M. Rayymbek, T. Tolkynkyzy, A. Elgezek, A. Temirbai, A. Isadil, Y. Zhunis. With the help of a comprehensive scientific analysis, the authors of the article explore significant changes and innovations in the artistic text in modern Kazakh poetry in order to identify traditional mentality. The authors explore work of Yerlan Zhunis, which contributed to the rise of modern Kazakh lyrics to a qualitatively new level: development of poetry in line with modern trends, improvement of artistic content. They examine poet’s philosophical approach and poetic mastership, his civil and love lyrics from the artistic point of view. Thus, the authors are trying to identify the elements of creative endeavor and the innovative contribution of the poet Y. Zhunis in Kazakh poetry. - Некоторые метрики заблокированы вашиминастройками согласия
Тип записи:Публикация, "I would take height, perseverance, seriousness from my native land" (about the lyrics of Baydilda Aidarbek)(2022-12-30)The article provides a scientific analysis of the poems of the modern poet Baydilda Aidarbek, which have not yet received full recognition in Kazakhstan, but are well known on his land, in his area and recognized by local readers. The poet's creativity is being studied for the first time in Kazakhstan. The poet was born in the Suzak district of South Kazakhstan region. He was fond of writing poetry since childhood. The author showed interest in writing poems, songs, and dramatic works from school. He is the father of six children, a faithful husband, a wise teacher, a sincere poet. Along with poetry, he devoted his life to pedagogical work. Before retiring, he taught technical drawing and painting in various schools in his native district. Giving a description of the features of the poet's work, who loved his native land from childhood and dedicated his poems to it, the author of the article reverently quotes his poetic lines about his native nature, the landscapes of his native land, the depths of the history and human destinies. The author believes that the poet's deep and soulful lyrics should find their new researchers and grateful readers. - Некоторые метрики заблокированы вашиминастройками согласия
Тип записи:Публикация, «Японский след» в пейзажной лирике казахского поэта Бахытжана Канапьянова(2023-12-29)Цитирования (OpenCitations) 1 - Некоторые метрики заблокированы вашиминастройками согласия
Тип записи:Публикация, ETHNOCULTURAL VALUES IN CONTEMPORARY KAZAKH POETRY: (based on the work by poet A. Shegebay)(2024-03-25); Цитирования (OpenCitations) 1 - Некоторые метрики заблокированы вашиминастройками согласия
Тип записи:Публикация, "Who did you leave me for?": the meaning of memorial crying in the culture of the peoples of the world(2024-06-28)The article provides data on the similarities and differences between the memorial lamentations of the Kazakh people and those of different peoples of the world. A comparative analysis of who performs the crying and how, what exactly is given special importance in this ritual, is carried out. The substantiation of the significance of the memorial cry is given. It is written about the place of mourning in every historical epoch. It is investigated how important the reputation and dignity of any person is after the death of a brother or friend. A comparative analysis of the use of metaphors, comparisons, and epithets in memorial lamentations is given. The article presents a comparative analysis of women's cries among Kazakhs, Uzbeks, Turkmens, Kyrgyz, Bashkirs, Karakalpaks, Russians, Georgians, Lithuanians and Latin American Indians. The author gives examples of classical works of the past, including the 11th-century Turkic poet Mahmud Kashgari, the 12th-century Georgian poet Shota Rustaveli, the 18th-century Turkmen poet Maktumkuli, Kyrgyz poetry in the works of Shokan Ualikhanov. A special place is occupied by materials related to zhoktau (lamentations), from the works of Kazakh poets Abai Kunanbayev, Mashkhur Zhusup Kopeev, Orynbai Bertagyuly Oralkhan Bokey, Mukagali Makatayev, modern poet Kalkaman Sarin. In the course of studying the topic, comparative, textual, cultural-historical, mythopoetic and other methods of analyzing literary works were used - Некоторые метрики заблокированы вашиминастройками согласия
Тип записи:Публикация, Reflection of National Values in Modern Kazakh LyricsThe article examines the axiological problems of modern Kazakh poetry, such as national existence, national spirit, national consciousness. National, universal axiological virtues are one of the topical themes of eternity. Literature, considered the pearl of art, is a phenomenon that promotes and extols this value. Poetry, considered the essence of noble words, is one of the phenomena that serve to promote the axiological benefits mentioned above. Poetry is a moral word, an ethical word that glorifies universal, national education and transmits the value of virtue to future generations. The role and mission of Kazakh poetry in society, based on the principle of axiological criteria, is special. Indeed, Kazakh poetry is completely intertwined with the phenomenon of national values, worldview, feeds on a noble channel and is a harbinger of the national spirit. Because the centuries–old national poetry is a phenomenon of values that serves the benefit of Kazakh society. In the second half of the last century, innovative changes in the literary process gave a new impetus, a new breath to the praise of the art of speech, and raised the quality of noble words to a higher level. Like other genres of literature, the genre of poetry has improved theoretically, poetically, stylistically, artistically, ideologically, thematically, meaningfully, qualitatively, didactically, and practically. One of the thematic innovations is that the works based on the national values of the Kazakh people contributed to the enrichment of the genre of poetry. This article examines the axiological, didactic mission of the poetic word, the representatives of poetry – a spiritual tool that serves the humanization of society. The poems, embodying national identity, national value, trace the historical, socio-social activities of the Kazakh people in awakening their being, spirit, consciousness. The poems reflecting the national mentality in the literary process are selected, and their axiological aspects that promote and glorify national values in a national context are analyzed.Цитирования (OpenAlex) 1 - Некоторые метрики заблокированы вашиминастройками согласия
Тип записи:Публикация, Using the Poetic Corpus of Abay for the Quality Training of Philologists(2025-05-22)